![]() New York's Palace Theatre on Broadway, was the palace of vaudeville a place where only the greatest of vaude's performers performed. Just as historians mark the date of the 'birth' of vaude, the date of its death is marked as well. After the blow dealt the world by the economic downturn of the Great Depression, vaudeville's pulse quickly weakened. Towards the end of the 1920s, vaudeville theatres began to be converted to cinemas or closed altogether with entire circuits. ![]() These mediums competed not only for audiences, but talent as well. Following this climax, vaudeville began to struggle with competition from film and in the following decade, radio. These heights included an industrialization of the business of vaudeville. Vaudeville reached its height around 1915. In Australasia vaudeville companies such as Fuller's became household names, eventually operating in several Australian and New Zealand cities at once. Other theatre owners quickly picked up on Pastor's new style of vaudeville and theatres began springing up like weeds and would continue in a quick pace until the 1920s. Pastor had refined the rough variety acts into something wholesome enough for women and children. ![]() While the initial origins of vaudeville are obscure, historians acknowledge that the opening of Tony Pastor's Fourteenth Street Theatre in New York City on October 24, 1881, marks the beginning of American vaudeville.
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